Largo retorno (1975)
The 1975 film Largo Retorno, directed by Mexican filmmaker Arturo Ripstein, is a classic example of Mexican cinema. It is a story of a man's journey from innocence to experience, and his struggle to find his place in the world.
The film is known for its explicit sexual moments, which are used to explore the themes of love, desire, and identity. The film follows the story of a young man, played by actor Enrique Rocha, who is sent to a remote village in Mexico to work as a farmhand. While there, he meets a beautiful young woman, played by actress Isela Vega, and the two quickly fall in love.
The sexual moments in the film are used to explore the characters' feelings of love and desire. The film contains several explicit scenes, including a scene in which the two lovers make love in a barn, and another in which they have a passionate embrace in a river. These scenes are used to show the intensity of the characters' feelings for each other, and to illustrate the power of love and desire.
The sexual moments in the film are also used to explore the characters' identities. The film follows the young man's journey from innocence to experience, and his struggle to find his place in the world. Through the sexual moments, the film explores the idea of identity, and how it is shaped by love and desire.
Overall, the sexual moments in Largo Retorno are used to explore the themes of love, desire, and identity. The explicit scenes are used to illustrate the intensity of the characters' feelings for each other, and to explore the idea of identity. The film is a classic example of Mexican cinema, and its sexual moments are an important part of its exploration of love, desire, and identity.
A fairly graphic and passionate bedroom scene between a married couple on their honeymoon. A woman's bare breasts, bottom, and a very brief glimpse of her crotch is shown. A mans bare buttocks can be briefly seen in a mirror reflection. Depending upon which version of the film you see, there are some brief but moderately graphic cuts of this scene inserted in two other sequences within the films plotline.
An undressed woman is seen in front of a mirror brushing her hair, she turns around and her bare breasts are seen as the shot zooms in on her face.
A man and a woman passionately kiss at different instances throughout the film. Its not particularly graphic, and its more romantic and tastefully done.
A woman is seen in a hospital bed (presumably without clothes on) but she is completely covered by bed sheets. No nip slips or even cleavage is visible.
A man humorously implies that his work is his mistress because it takes up most of his time.
A wife offers to make her husband some tea, he then states he's got a better idea (implying they should have sex). He picks her up in a playful manner and brings her to their bedroom, but the scene stops when he shuts the door and no sex scene is shown.
A woman flirtatiously asks her husband to get back into bed with her instead of going to work. They are seen (in a mirror reflection) about to romantically engage but no sex scene is shown. Its implied near the end of the film, that she "made him very later for work".