Love Strange Love is a 1982 Brazilian drama film directed by Walter Hugo Khouri. It tells the story of a young woman, Maria, who is struggling to find her place in the world. The film is known for its frank and explicit depiction of sexuality, and it has become a cult classic in Brazil.
The film follows Maria as she embarks on a journey of self-discovery. Along the way, she meets a variety of characters who help her to explore her sexuality. One of the most memorable scenes in the film is when Maria meets a man in a bar and they share a passionate kiss. This scene is particularly powerful as it shows Maria’s willingness to explore her sexuality and her desire to find love.
Another memorable moment in the film is when Maria meets a woman in a nightclub and they share a passionate embrace. This scene is particularly powerful as it shows Maria’s willingness to explore her sexuality and her desire to find love.
The film also features a number of other sexual moments, such as when Maria has a sexual encounter with a man in a hotel room, and when she has a sexual encounter with a woman in a park. These scenes are powerful and explicit, and they help to illustrate Maria’s journey of self-discovery.
Overall, Love Strange Love is a powerful and explicit film that explores the complexities of sexuality. The film’s frank and explicit depiction of sexuality has made it a cult classic in Brazil, and it is sure to remain a classic for years to come.
This description applies to the uncut version of the film. While young Hugo (Marcelo Ribeiro) is staying with his mother Anna (Vera Fischer) at the bordello where she works, he becomes the object of sexual attention from the employees. Women are seen fully frontally nude. One woman undresses for Hugo, places his hands on her breasts, and runs her hand slowly up his (clothed) leg and over his groin. Tamara (Xuxa Meneghel) places his hand on her breast; in a later scene she strips and lays down on the shirtless Hugo and kisses his face and chest. A night-time scene of Hugo masturbating under the covers alternates with his fantasies, in one he is fully nude as seen from the side, thrusting on a nude woman in simulated coitus, breasts visible; in another, he lays on a bed while the women of the house, all nude, kiss and touch him: only his chest is visible.
There is a lovemaking scene between Anna and a customer who has promised to care for her; young Hugo watches this.
There's plenty of nudity in the movie like every five minutes or so.
Toward the end of the film, Hugo is shown in bed with his mother Anna (Vera Fischer), both of them unclothed, though lower frontal nudity of Hugo is not seen. She has grown concerned about the attention Hugo is receiving from the other women. They engage in cuddling and as the scene fades it is strongly implied that they have sex.