The Last Wave (1977)
The Last Wave (1977) is a classic Australian film that explores the themes of Aboriginal spirituality and the supernatural. It follows the story of a lawyer, David Burton, who is assigned to defend five Aboriginal men accused of murder. As he delves deeper into the case, he discovers a mysterious connection between the men and a series of strange events.
The Last Wave is a powerful film that is filled with sexual tension. The film’s director, Peter Weir, uses a variety of techniques to create a sense of unease and mystery. One of the most effective of these is the use of sexual moments. Throughout the film, there are several scenes that hint at the sexual desires of the characters.
One of the most memorable sexual moments in the film is when David Burton meets the Aboriginal men for the first time. As he approaches them, they all stand in a circle and stare at him. The camera then pans around the circle, creating a sense of unease and tension. This scene is a powerful reminder of the power dynamics between the Aboriginal men and the white man.
Another sexual moment in the film is when David Burton and his wife, Christine, are in bed together. As they lie in bed, the camera slowly zooms in on their faces, creating a sense of intimacy and desire. This scene is a reminder of the power of love and desire, and how it can transcend cultural boundaries.
The Last Wave is a powerful film that explores the themes of Aboriginal spirituality and the supernatural. It is also a film that is filled with sexual moments that hint at the desires of the characters. These moments create a sense of unease and mystery, and remind us of the power of love and desire.
In the beginning of the film, a schoolteacher's shirt gets wet and you can see she is bra-less and her breasts and nipples show clearly through her shirt.
Very brief male full rear nudity and glimpse of pubic hair related to a tribal ritual. A bare-breasted Aboriginal woman and bare-chested Aboriginal man are seen in book photographs.