Zipper (2015) is a psychological thriller directed by Mora Stephens. The movie follows the story of a successful lawyer, Sam Ellis (Patrick Wilson), who is on the brink of a political career. However, his life is thrown into chaos when he becomes addicted to an escort service.
The movie contains several sexual moments that are both explicit and implicit. The explicit scenes include Sam's encounters with the escorts, which are often quite graphic. The implicit scenes include Sam's fantasies, which are often portrayed in a dream-like state.
The sexual moments in Zipper are used to explore the themes of addiction, power, and control. Sam's addiction to the escort service is portrayed as a way for him to escape from his mundane life and to gain a sense of power and control. The explicit scenes are used to show the consequences of his addiction, while the implicit scenes are used to show his inner desires and fantasies.
The sexual moments in Zipper are also used to explore the themes of love and intimacy. Sam's encounters with the escorts are often portrayed as a way for him to find a connection and intimacy that he is unable to find in his personal life. The explicit scenes are used to show the consequences of his addiction, while the implicit scenes are used to show his inner desires and fantasies.
Overall, the sexual moments in Zipper are used to explore the themes of addiction, power, control, love, and intimacy. The explicit scenes are used to show the consequences of Sam's addiction, while the implicit scenes are used to show his inner desires and fantasies. The movie is a powerful exploration of the consequences of addiction and the power of love and intimacy.
At least three scenes involves nudity with naked breast.
Several scenes where a man is shown looking at porn (not seen) and it is implied that he is masturbating.
Several scenes where a man is looking at online escort websites and scantily clad women are shown in seductive poses.
A woman kneels in front of a man and oral sex is implied but not shown. They are then seen in various positions of intercourse. No nudity is clearly visible.
A couple has sex and the womans bare breasts are seen extremely briefly close up with nipples erect. This is the only actually visible nudity in the movie. All other nudity is blocked from view,, or filmed too dark to actually see anything.
Several more scenes of couples having sex showing, a mans back side and lots of thrusting motions.
One scene in a car. The woman climbs onto the mans lap. The scene is far to dimly lit to actually see anything.
While the content is sexual, it is not visually so. There is seriously very little visual nudity in this movie. It's about the thought, not the visual action.
Alexandra Breckinridge, Lena Headey and Penelope Mitchell are all seen topless having sex with Patrick Wilson.