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The Living Daylights (1987)
The Living Daylights (1987) is a classic James Bond movie that is full of sexual moments. From the opening scene where Bond (Timothy Dalton) is seen in a bikini to the romantic scenes between him and Kara Milovy (Maryam d'Abo), the movie is full of sexual tension.
The opening scene of the movie is one of the most memorable sexual moments. Bond is seen in a bikini, lounging on a beach in the Caribbean. This scene sets the tone for the rest of the movie, as Bond is seen as a sexual being.
The romantic scenes between Bond and Kara are also full of sexual tension. The two share a passionate kiss in a hotel room, and later, Bond and Kara share a romantic dinner in a restaurant. These scenes are full of sexual energy, as the two characters are clearly attracted to each other.
The movie also features a number of other sexual moments. Bond is seen in a number of seductive poses, and there are several scenes where he is seen in a state of undress. The movie also features a number of suggestive lines, such as when Bond tells Kara, "I'm a man of simple tastes. I like my martinis shaken, not stirred, and my women naked."
Overall, The Living Daylights (1987) is a classic Bond movie that is full of sexual moments. From the opening scene to the romantic scenes between Bond and Kara, the movie is full of sexual energy.
A busty woman distracts an old man by unzipping her overalls a bit and revealing some cleavage. She then forces the old man to put his head on her cleavage. This is not really explicit apart from the first glimpse of her cleavage (no nudity though) and is played for laughs.
In typical Bond fashion, there are silhouettes of nude and/or scantily clad women dancing during the opening credits.
Unlike most (if not all) Bond films, Bond does not sleep with the Bond girl, Kara, and in fact has a unique relationship with her.
A few mild references.
Bond and Kara kiss passionately in several scenes with him lying on top of her. Sex may be slightly implied.
A building falls down around two men while they are naked and they run away. Their buttocks are visible but no other private parts.
One of the male villains wears a very brief and revealing bikini-style swimsuit in one scene.
James tears the robe from a woman to distract a guard entering a room. It is implied the guard is shocked to see her topless. The scene then cuts to an angle of a fight shown behind the woman who is seen in her underwear. The scene also clearly reveals her left breast and nipple (seen from the side for at least 5 seconds). He throws her robe back to her and she then runs to the bathroom with her robe clasped to her chest.
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