The 1971 Japanese film Emperor Tomato Ketchup is a classic of avant-garde cinema. Directed by Shuji Terayama, the film follows the story of a young boy, Gorō, who is bored with his mundane life and decides to overthrow the government. Along the way, he discovers the power of his own sexuality.
The film contains several sexually charged moments that explore the power of sexuality and its role in society. In one scene, Gorō is seen in a bathtub with a young girl, and the two engage in a playful game of splashing each other. This scene is a metaphor for the power of sexuality and its ability to bring joy and pleasure to those who engage in it.
In another scene, Gorō is seen in a bedroom with a young girl, and the two engage in a passionate kiss. This scene is a metaphor for the power of love and its ability to bring people together.
The film also contains a scene in which Gorō is seen in a bedroom with two young girls, and the three engage in a threesome. This scene is a metaphor for the power of sexual exploration and its ability to bring people closer together.
Overall, Emperor Tomato Ketchup is a classic of avant-garde cinema that explores the power of sexuality and its role in society. Through its sexually charged moments, the film shows that sexuality can bring joy and pleasure, love and connection, and exploration and understanding.
A couple is seen getting intimate in bed. Nudity is obstructed, but there is a poster on the wall depicting topless nudity.
A nude man is shown polishing the emperors boots. He is kneeling, side rear male nudity.
The emperor is seen nude in the bathtub, while a girl awaits him in bed. They are both children. The emperor walks out fully nude.
A woman is shown nude tied to a chair.
Children play ping pong on a table where a nude dead woman lies.
A nude woman is made to pedal a bike resembling a nude male, while a gun is pointed at her back.
A nude woman is shown bound kneeling on the floor.
A topless girl sits among dolls.
Three nude persons are seen in a three way. Only rear nudity. In a piece of storage furniture, a man has nude women (possibly pretending to be dolls, as they do not move.)
A woman in a large flowy dress is shown lazying around. For a split second, an image of her rear nudity is spliced in. A small soldier comes in and forces her to undress, suckling on her breasts. His head is then shown traveling south, insinuating cunnilingus.
The emperor is shown being undressed by four "women" in costume. The emperor and the women are nude in bed frolicking and simulating sex.