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The Killing of Sister George (1968)
The Killing of Sister George (1968) is a classic British drama film directed by Robert Aldrich. The movie follows the story of June Buckridge, a middle-aged actress who plays a beloved character on a popular television show. As the movie progresses, June's character is killed off, and she is forced to confront her own mortality and the changing nature of her relationships.
The Killing of Sister George is notable for its frank and honest portrayal of sexuality. June's character is a lesbian, and her relationship with her lover, Alice, is explored in depth. The movie also features a number of sexually charged moments, including a scene in which June and Alice share a passionate kiss. This moment is particularly powerful, as it serves to highlight the strength of their relationship and the struggles they face in a society that does not accept their love.
The Killing of Sister George also features a number of other sexual moments, including a scene in which June and Alice are seen in bed together. This scene serves to further emphasize the strength of their relationship and the struggles they face in a society that does not accept their love.
Overall, The Killing of Sister George is a powerful and thought-provoking film that explores the complexities of sexuality and relationships in a frank and honest manner. The movie's frank and honest portrayal of sexuality is particularly noteworthy, as it serves to highlight the struggles faced by those in same-sex relationships. The movie's sexual moments are also powerful and serve to further emphasize the strength of June and Alice's relationship.
Includes some language including crude dialogue, brief strong sexual content and nudity, and thematic elements."
This film contains some strong sexual content and themes.
This film primarily deals with a young woman who is sexually involved and living with an older, middle-aged woman. Throughout the first half of the film, the young woman is frequently seen in a sheer negligee through which her bare breasts are sometimes visible. In one particularly suggestive sequence, the girl, wearing only the nightie, teases the older woman by eating food on the floor in an erotic manner; this upsets the woman.
There is also a scene early on in which the older woman, who is drunk, climbs into a taxi that two nuns are riding in. Although we do not see the incident that follows, it may be gathered from the dialogue audible from outside the vehicle that the woman is making an aggressive sexual pass at the nuns; she is then rejected from the taxi in the middle of the street.
Halfway through the film, a middle-aged woman and her younger female lover begin making out in bed. This sequence is intentionally brief (as it implies sex) and it quickly dissolves to another scene.
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The most graphic sexual content occurs during the film's climax. Another predatory, older woman makes an advance on the younger girl, essentially coming between the girl and her original lover. The tone of the scene is highly adult in its presentation of a sexualized mother-daughter dynamic between the women; the older woman acts as if she is tucking in the girl, who is laying on a bed, talking to her doll. The older woman plays along and does the same with a different doll. She then sits next to the girl on the bed and begins fondling her chest, eventually opening up the girl's shirt to reveal her breasts, and they engage in passionate foreplay. The older woman kisses the chest, neck and mouth of the girl, then moves her hand downward; it is implied that she performs digital penetration on the younger female, who thrusts and groans loudly.
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