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Munich (2005)
Munich (2005) is a powerful drama directed by Steven Spielberg that tells the story of a group of Mossad agents tasked with assassinating the Palestinian terrorists responsible for the 1972 Munich Olympics massacre. The film is filled with intense and emotional moments, and it also contains several sexual moments that add to the overall tension and drama of the story.
One of the most memorable sexual moments in the film occurs when Avner (Eric Bana), the leader of the Mossad team, meets a French woman named Louis (Cécile de France). Avner and Louis have a passionate encounter in a hotel room, and the scene is filled with sexual tension and desire. The scene is shot in a way that emphasizes the physicality of the moment, and it serves as a reminder of the human connection that exists between Avner and Louis, even in the midst of the mission.
Another sexual moment in the film occurs when Avner and his team are in Vienna. Avner meets a woman named Anna (Ayelet Zurer) and the two have a brief but passionate encounter. The scene is shot in a way that emphasizes the physicality of the moment, and it serves as a reminder of the human connection that exists between Avner and Anna, even in the midst of the mission.
The film also contains a few other sexual moments, such as when Avner and his team are in Paris and Avner meets a woman named Marie (Marie-Josée Croze). The scene is shot in a way that emphasizes the physicality of the moment, and it serves as a reminder of the human connection that exists between Avner and Marie, even in the midst of the mission.
Overall, Munich (2005) is a powerful and intense drama that contains several sexual moments that add to the overall tension and drama of the story. The sexual moments in the film serve as a reminder of the human connection that exists between the characters, even in the midst of the mission.
A husband and wife have sex (the woman wears a shirt, the man is nude), we see her bare stomach (she is pregnant) & his bare buttocks; they moan, the man thrusts briefly and asks how late in her pregnancy they can continue to have sex.
A husband and wife lie in bed together - no nudity - she touches his face and kisses him, and they have sex (he thrusts violently while imagining scenes of violence).
A woman wears a short robe, it slips open revealing cleavage, she drops it off her shoulders and reveals her bare breasts, and the robe falls open completely revealing her bare breasts and pubic hair. Later one man decides to cover her nakedness after she dies while another man overrides that decision by pulling open her robe exposing her breasts and pubic hair again as humiliation towards the assassin.
A dead man is shown nude in a bed (his genitals are in shadow but evident).
After an explosion in a hotel we see a naked man (he holds his hands over his genitals and we see his bare buttocks) and a woman in a bra and panties.
A woman wearing a negligee stands on a balcony, her husband joins her, they kiss, he caresses her hip and buttock, and another man says that he will not sleep because the couple will be having sex all night.
A woman asks a married man to have sex with her (he declines).
A man says to his girlfriend that he thinks another man, "wants to go to bed with you."
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