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Rome, Open City (1945)
Rome, Open City (1945) is a classic Italian neorealist film directed by Roberto Rossellini. It is considered one of the most influential films of all time and is often cited as the beginning of the Italian neorealist movement. The film follows the story of a group of resistance fighters in Nazi-occupied Rome during World War II. While the film is primarily focused on the political and social struggles of the time, it also contains a few subtle sexual moments.
The most prominent sexual moment in the film is between the characters of Pina and Francesco. Pina is a young woman who is in love with Francesco, a member of the resistance. The two share a passionate kiss in a scene that is both tender and erotic. This moment is significant because it shows the power of love and passion in a time of war and hardship.
Another sexual moment in the film is between the characters of Marcello and Marina. Marcello is a young man who is in love with Marina, a woman who is married to another man. The two share a passionate kiss in a scene that is both romantic and sensual. This moment is significant because it shows the power of love and desire in a time of war and hardship.
Finally, there is a brief moment between the characters of Pina and Don Pietro. Don Pietro is a priest who is in love with Pina. The two share a brief moment of intimacy in a scene that is both tender and romantic. This moment is significant because it shows the power of love and faith in a time of war and hardship.
Overall, Rome, Open City (1945) is a classic film that contains a few subtle sexual moments. These moments are significant because they show the power of love and passion in a time of war and hardship.
It is heavily implied that that a Nazi female collaborator is a lesbian and involves a female informer to satisfy her urges. They are seeing laying in each other's arms on a couch. No nudity or sex.
One of the main characters has an out-of-wedlock pregnancy.
In one scene, a woman is clearly not wearing a bra and her nipples are revealed. In another scene, one cabaret dancer is wearing lingerie that exposes most of her chest and cleavage is seen. A few women undress, but only their undergarments are seen. During a torture scene, a man is seen to be bare chested.
A baby boy is seen going to the bathroom on a small pot. His front is visible for a moment.
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