Citizen Kane (1941)

Citizen Kane (1941) is a classic film directed by Orson Welles. It is widely considered to be one of the greatest films of all time and is often cited as an example of cinematic excellence. While the film is known for its technical achievements and its groundbreaking narrative structure, it also contains some surprisingly sexual moments.

The most obvious example of this is the scene in which Kane (Orson Welles) and his second wife, Susan Alexander (Dorothy Comingore), are in bed together. The scene is shot in a way that emphasizes the physical intimacy between the two characters, and it is clear that they are about to have sex. This is a surprisingly bold move for a film released in 1941, and it serves to highlight the complexity of Kane's relationship with Susan.

Another scene that contains sexual undertones is the one in which Kane and his first wife, Emily Norton (Ruth Warrick), are dancing together. The scene is shot in a way that emphasizes the physical closeness between the two characters, and it is clear that they are enjoying each other's company. This scene serves to highlight the romantic connection between Kane and Emily, and it is a surprisingly intimate moment for a film released in 1941.

Finally, there is the scene in which Kane and his third wife, Mary Kane (Agnes Moorehead), are in bed together. The scene is shot in a way that emphasizes the physical closeness between the two characters, and it is clear that they are about to have sex. This scene serves to highlight the complexity of Kane's relationship with Mary, and it is a surprisingly bold move for a film released in 1941.

Overall, Citizen Kane (1941) contains some surprisingly sexual moments that serve to highlight the complexity of Kane's relationships with the women in his life. These moments are bold for a film released in 1941, and they serve to make the film even more memorable.