Sign in with Google 
Concrete Night (2013)
Concrete Night (2013) is a Finnish drama film directed by Pirjo Honkasalo. The film follows the story of a teenage boy, Simo, who is forced to spend a night with his older brother, Ilkka, before Ilkka is sent to prison. The film explores the themes of family, friendship, and sexuality.
The film contains several sexual moments that are both subtle and explicit. In one scene, Simo and Ilkka are in a bar and Ilkka is flirting with a woman. The woman is clearly interested in Ilkka and they share a passionate kiss. This scene is significant because it shows the power of Ilkka's sexuality and how it can be used to manipulate people.
In another scene, Simo and Ilkka are in a sauna and Ilkka is telling Simo about his sexual experiences. This scene is important because it shows how Ilkka is comfortable talking about sex and is not ashamed of his sexuality. It also shows how Simo is still learning about sex and is not yet comfortable talking about it.
The film also contains a scene in which Simo and Ilkka are in a hotel room and Ilkka is trying to seduce Simo. This scene is significant because it shows how Ilkka is willing to use his sexuality to manipulate Simo and how Simo is still learning about his own sexuality.
Overall, Concrete Night (2013) contains several sexual moments that are both subtle and explicit. These moments are important because they show how sexuality can be used to manipulate people and how people are still learning about their own sexuality.
The extent of the sex is that of intercourse between a naked man and a woman wearing nothing but a brassiere, during which only male rear nudity is visible and it is largely obscured by a vertical beam. The extent of the nudity is a few short wide-angle shots featuring full frontal (and rear) nudity of a teenage boy, absent any sexual context, and in a separate scene, rear nudity of a woman.
Expecting to be mounted by a man for sexual intercourse, a woman wearing a thin jacket slips down her shorts to above her knees, and leans down on all fours. Once the man flings the bottom of the jacket away from her waist toward her head, her bare behind is visible but without any frontal nudity. The man sitting behind her tells her to spread her legs, and she does, but he tells her to spread them wider, while kicking at and repositioning her feet away from each other.
One of the characters is a grown man who is implied to have a history of inviting young men into his apartment and photographing them posing wearing nothing but vintage headgear, one-on-one. (However, only the subject's torso is in frame on each photograph.) The man tries to do this to/with a teenage boy.
Graffiti in the form of a gigantic, comical, simple doodle of human male genitalia can be seen on the exterior of a building.
Two very young androgynous adults who are dressed in traditionally-masculine attire can be briefly seen passionately kissing each other at a train station.
More with similar scenes
