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A Zed & Two Noughts (1985)
The 1985 film A Zed & Two Noughts, directed by Peter Greenaway, is a surrealist exploration of the interconnectedness of life and death. The film follows two brothers, Alwyn and Oswald, who are both mourning the death of their wives in a car accident. As they explore the world of zoology and the cycle of life and death, the film also explores the themes of sexuality and desire.
The film is filled with sexual moments, from the opening scene of a woman giving birth to a baby, to the brothers' fascination with the mating habits of animals. The film also features a number of explicit sexual scenes, including a scene in which Alwyn and Oswald watch a pornographic film. The film also features a scene in which Alwyn and Oswald watch a woman masturbate in a bathtub.
The film also features a number of dream sequences in which the brothers explore their own sexual desires. In one dream sequence, Alwyn and Oswald are shown in a passionate embrace, and in another dream sequence, Alwyn is shown having sex with a woman in a field. These dream sequences are symbolic of the brothers' desire to explore their own sexuality and to come to terms with the death of their wives.
The film also features a number of scenes in which the brothers explore their own mortality. In one scene, Alwyn and Oswald are shown in a morgue, surrounded by dead bodies. This scene serves as a reminder of the fragility of life and the inevitability of death.
Overall, A Zed & Two Noughts is a powerful exploration of the interconnectedness of life and death, and the film's sexual moments serve to further explore the themes of mortality and desire. The film is a thought-provoking exploration of the human condition, and its sexual moments serve to further explore the themes of mortality and desire.
A woman talks about a legless woman who had "no limbs to hinder entry" and mentions her many lovers.
A man implies in his comments to a woman that they should have sex in the back of the panda cages at a zoo, that it would give the pandas some encouragement, and asks since when the woman has needed a bed to do so. They continue their innuendo-ridden conversation. The man says the woman can take a bath if he can watch.
A man and woman sit on a bed naked. The man places snails on his abdomen. The woman is shown for a somewhat extended period of time completely naked. The man then kicks her out of his apartment and she stands atop a balcony inside the building singing, still seen naked from a distance. No male frontal nudity in this part except a second-long shot of the man turning.
A man accuses a woman of trying to procure an abortion. They discuss her previous mention of having a miscarriage by mercury poisoning.
A woman undresses to her bra and underwear to put on a robe. A man then instructs her to open the robe a bit at the chest. Later she takes the robe off to put her dress back on.
A man sits on a bathroom floor naked with his legs spread open. His penis and scrotum are clearly seen.
A man lifts a woman's dress and his hand is shown on her hip on her underwear as he makes a deal with her with a promise of a place in his bed. He stops when a child oversees.
A woman wears a very revealing, low-cut top. She caresses a man who is lying on her lap and asks him to kiss her on the cheek. She then starts kissing him on the mouth and places his hand on her chest.
A little girl makes a man go over to a woman at a restaurant and ask her what color knickers she is wearing. She answers. She then comes over to his table and tells him he can check if he does not believe her. He declines, but she insists. She leads him to a bathroom and tells him to see for himself. When he pulls up her dress, she is naked and her pubic hair is seen.
A doctor takes off his patient's cover-up and a woman walks over and measures her chest size.
Brief two-sentence dialogue about rape.
A woman wears the same revealing top and seduces a man, saying she wants more than a kiss and that the man might like it, as his brother did.
A woman poses for a picture fully nude. Her upper body is covered, but her pubic hair is seen in a dimly-lit corner of the shot. After a few moments, she throws down the object covering her chest and her upper body is seen nude for a second.
A woman asks rhetorically if leglessness is a form of contraceptive.
Two men undress and get into bed with a clothed woman. Only backside nudity is seen, then they are covered by the sheets. They each stick one leg out from under the covers, still no nudity is seen.
Two men enter a scene nude, seen from the back. They then turn and sit down. Brief frontal nudity which is dark and obscure. After a few moments, they both stand up and are seen nude for a short time until they are mostly obscured by a person standing in front of them.
Two babies lie naked. One's male genitals are shown.
Two men undress and are seen fully nude walking around the shot for a short while until they lie down on a slab.
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