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The Living Dead Girl (1982)
The Living Dead Girl (1982) is a French horror film directed by Jean Rollin. The movie follows the story of a young woman, named Françoise, who is brought back to life by a mad scientist. The movie is filled with sexual moments, which are often used to create a sense of dread and horror.
The movie begins with Françoise being brought back to life by the mad scientist. As she is brought back to life, she is naked and her body is covered in a white sheet. This scene is used to create a sense of mystery and suspense, as the audience is left to wonder what will happen next.
The movie then follows Françoise as she begins to explore her new life. As she does so, she discovers that she has an insatiable appetite for human flesh. This leads to a number of scenes in which she seduces and kills her victims. These scenes are often quite graphic and are used to create a sense of horror and dread.
The movie also contains a number of scenes in which Françoise engages in sexual activities with her victims. These scenes are often quite explicit and are used to create a sense of fear and terror.
The Living Dead Girl (1982) is a horror movie that contains a number of sexual moments. These moments are used to create a sense of dread and horror, and are often quite graphic. The movie is a classic example of French horror cinema and is sure to leave viewers feeling uneasy.
Depending on which version you see, there may be an intro by a distribution company that shows breasts.
A woman is fully nude from the front . A man approaches her and begins to make out with her. The move to a couch and are making love, the womans buttocks are shown the entire time and her breasts are briefly visible. As she gets off him, his penis is visible. Later, at a distance, both of them can be seen nude from the front.
A woman sits nude at a piano. Her buttocks are visible. When she stands up her breasts and pubic hair can be seen.
The same woman is seen full frontal and from behind as another woman washed her in the next scene.
A dead woman is shown on the ground, full frontal. A man too, but less explicit.
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