Branded to Kill (1967)

Branded to Kill (1967) is a Japanese film directed by Seijun Suzuki. It is a classic example of the Japanese New Wave and is considered one of the most influential films of the genre. The film follows a hitman, Goro Hanada, as he attempts to complete a series of assassinations. While the film is primarily a crime drama, it also contains several sexual moments that add to the overall atmosphere of the film.

The first sexual moment in the film occurs when Goro meets his love interest, Misako. The two share a passionate kiss in a hotel room, and the scene is shot in a way that emphasizes the intensity of their feelings for each other. This moment is important because it serves as a contrast to the violence and brutality of Goro’s profession.

The second sexual moment occurs when Goro and Misako are in a bathhouse. The scene is shot in a way that emphasizes the sensuality of the moment. The two share a passionate embrace and kiss, and the camera lingers on their bodies as they move together. This moment serves to further emphasize the contrast between Goro’s violent profession and his tender feelings for Misako.

The third sexual moment occurs when Goro and Misako make love in a hotel room. The scene is shot in a way that emphasizes the intensity of their feelings for each other. The camera lingers on their bodies as they move together, and the music builds to a crescendo as they reach their climax. This moment serves to further emphasize the contrast between Goro’s violent profession and his tender feelings for Misako.

Overall, the sexual moments in Branded to Kill (1967) serve to emphasize the contrast between Goro’s violent profession and his tender feelings for Misako. The scenes are shot in a way that emphasizes the intensity of their feelings for each other, and the music builds to a crescendo as they reach their climax. These moments serve to add an extra layer of depth to the film and make it an even more powerful experience.