Viva Cuba is a 2005 Cuban drama film directed by Juan Carlos Cremata Malberti. The film follows the story of two young Cuban children, Malú and Jorgito, as they embark on a journey of self-discovery and exploration.
The film contains several sexual moments that are integral to the story. One of the most powerful moments occurs when Malú and Jorgito are in a hotel room and Malú begins to undress. Jorgito is initially uncomfortable with the situation, but Malú insists that it is natural and that they should explore their feelings. This scene is important in that it shows the children's innocence and naivety, as well as their curiosity about sexuality.
Another sexual moment occurs when Malú and Jorgito are in a car and Jorgito begins to touch Malú's leg. This scene is important in that it shows the children's growing awareness of their own sexuality and their desire to explore it.
The film also contains a scene in which Malú and Jorgito are in a swimming pool and Jorgito begins to touch Malú's body. This scene is important in that it shows the children's growing awareness of their own sexuality and their desire to explore it.
Overall, Viva Cuba is a powerful film that explores the complexities of sexuality in a sensitive and thoughtful way. The sexual moments in the film are integral to the story and help to illustrate the innocence and naivety of the two young protagonists.
No sex. There are some romantic themes and brief rear nudity.
In a brief wide-angle shot, Jorgito's backside is visible as he is naked in the shower. In some scenes, he can be seen wearing nothing but tight briefs, with or without socks. In one of these, shown from his side, he is effectively nude while he is sitting on a commode, his underwear pulled down around his legs.
Malú can be seen wearing nothing but a shirt and panties, in some scenes. One of them is a rear closeup of her adjusting the panties. In another scene, she wears a sort of makeshift two-piece bathing outfit on the beach, stripping down in the presence of a male peer at that. Much later, her backside can also be seen as she pulls up her shorts after relieving herself in the woods, a very small portion of below the waist being briefly visible.
Disguised as a girl, a young boy is awkwardly but nicely stared upon and smiled at by another young boy, as if to be attractive on account of being perceived as a girl. This is borderline sexual, but not much can be read into, given the boys' ages. The disguised child is embarrassed and has loosely "phobic" grimace on his face.
There is a scene in which two children are laying down, facing up, in such a way that the girl's head is resting on the boy's bicep and shoulder, and they are alone. It's not sexual, but the imagery may present an "intimate" vibe.