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Factory Girl (2006)
Factory Girl is a 2006 biographical drama film directed by George Hickenlooper and based on the life of 1960s socialite and Andy Warhol superstar Edie Sedgwick. The film stars Sienna Miller as Sedgwick, Guy Pearce as Warhol, and Hayden Christensen as Sedgwick's love interest, musician and artist Billy Quinn.
The film contains several sexual moments that are integral to the plot. The first occurs when Edie meets Billy Quinn at a party. The two quickly become infatuated with each other and begin a passionate affair. This is shown through a series of steamy sex scenes that depict their physical connection.
The second sexual moment occurs when Edie and Billy go to a party at Warhol's Factory. Warhol is shown to be sexually interested in Edie, and he attempts to seduce her. Edie is initially uncomfortable with Warhol's advances, but eventually gives in and the two share a passionate kiss.
The third sexual moment occurs when Edie and Billy are in bed together. Edie is shown to be sexually liberated and confident in her own body. She initiates sex with Billy and the two share a passionate night together.
The fourth sexual moment occurs when Edie and Billy are in a hotel room. Edie is shown to be sexually adventurous and confident in her own body. She initiates sex with Billy and the two share a passionate night together.
The fifth sexual moment occurs when Edie and Billy are in a hotel room. Edie is shown to be sexually liberated and confident in her own body. She initiates sex with Billy and the two share a passionate night together.
The sixth sexual moment occurs when Edie and Billy are in a hotel room. Edie is shown to be sexually liberated and confident in her own body. She initiates sex with Billy and the two share a passionate night together.
The seventh sexual moment occurs when Edie and Billy are in a hotel room. Edie is shown to be sexually liberated and confident in her own body. She initiates sex with Billy and the two share a passionate night together.
The sexual moments in Factory Girl are integral to the plot and help to illustrate Edie's journey from naive socialite to sexually liberated woman. The film is a powerful exploration of female sexuality and the power of self-expression.
In one scene, a woman is topless throughout a fairly long conversation.
There is much talk in multiple discussions about male genitalia using common slang terms, including a reference to President Johnson. One of the discussions is about a book and accompanying illustrations, two of which are shown.
Three times during the film, a couple is seen having sex on a chair. In two instances the image is quite fuzzy. No nudity is shown in any of these instances.
When a fully nude woman (shot from the side) gets into a bath, her breasts are in view from the side and from the front.
The Venus de Milo is shown in one scene.
There is a montage that includes numerous sexual clips including a man buttoning his pants as he walks a way from a topless woman, a woman patting a man's bare butt, standing sex and sex on a chair.
A nude couple are shown from the side while having sex. As the camera pans along their bodies, the woman's breasts are visible.
A man seen from the shoulders up masturbates while looks at photos of rear views of nude men.
A nude woman lying face down on a bed is given a shot, and as she continues in conversation she raises up showing her breasts.
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