The New World (2005)
The New World is a 2005 historical romantic drama film directed by Terrence Malick. The film follows the story of Pocahontas, a Native American woman, and her relationship with Englishman John Smith. While the film is primarily focused on the relationship between the two characters, there are several sexual moments that are integral to the story.
The first sexual moment in the film occurs when Pocahontas and John Smith meet for the first time. As they gaze into each other’s eyes, the camera lingers on their faces and the music swells. This moment is a clear indication of the sexual tension between the two characters.
The second sexual moment in the film occurs when Pocahontas and John Smith are alone in the forest. As they embrace, the camera pans out to show the two of them in a passionate embrace. This moment is a clear indication of the physical attraction between the two characters.
The third sexual moment in the film occurs when Pocahontas and John Smith are reunited after a long separation. As they embrace, the camera lingers on their faces and the music swells. This moment is a clear indication of the emotional connection between the two characters.
The fourth sexual moment in the film occurs when Pocahontas and John Smith make love for the first time. As they embrace, the camera pans out to show the two of them in a passionate embrace. This moment is a clear indication of the physical and emotional connection between the two characters.
The fifth sexual moment in the film occurs when Pocahontas and John Smith are reunited after a long separation. As they embrace, the camera lingers on their faces and the music swells. This moment is a clear indication of the emotional connection between the two characters.
The sexual moments in The New World are integral to the story and help to convey the emotional connection between Pocahontas and John Smith. These moments are a reminder of the power of love and the importance of human connection.
We see women swimming nude and scantily dressed. During this, see a bare breast from the side, but the silhouette aspect means no details are apparent.
Throughout the film we often a woman scantily clad. There are also some European dresses with cleavage. There is some kissing and flirting, but all of this is quite mild and more romantic than explicit.
The extended version is equivalent, in this respect, to the original version.