The Girl on the Train (2016)
The Girl on the Train (2016) is a psychological thriller directed by Tate Taylor and starring Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, and Luke Evans. The movie follows Rachel Watson (Blunt), an alcoholic divorcee who takes the train every day to her job in New York City. Along the way, she becomes obsessed with the seemingly perfect couple living in a house she passes by every day.
The Girl on the Train is a movie that is filled with sexual tension and moments. Rachel is constantly fantasizing about the couple she sees from the train, and her fantasies become increasingly sexual as the movie progresses. Rachel is also shown to be sexually frustrated, as she is unable to move on from her divorce and is still in love with her ex-husband.
The sexual tension between Rachel and her ex-husband is palpable, and it is clear that they still have feelings for each other. This is further highlighted in a scene where Rachel and her ex-husband have a heated argument in a bar. The sexual tension between them is so strong that it is almost palpable.
The sexual tension between Rachel and the couple she sees from the train is also strong. Rachel is constantly fantasizing about them, and she even goes so far as to break into their house in an attempt to get closer to them. The sexual tension between Rachel and the couple is so strong that it is almost palpable.
The Girl on the Train is a movie that is filled with sexual tension and moments. Rachel is constantly fantasizing about the couple she sees from the train, and her fantasies become increasingly sexual as the movie progresses. Rachel is also shown to be sexually frustrated, as she is unable to move on from her divorce and is still in love with her ex-husband. The sexual tension between Rachel and the couple she sees from the train is also strong, and it is clear that Rachel is desperate to get closer to them. The Girl on the Train is a movie that is filled with sexual tension and moments, and it is sure to keep viewers on the edge of their seats.
Three scenes feature a man having sex with a woman: The first scene is in a large glass walled shower that is clouded with steam (we see back male nudity clearly and some frontal obscured female nudity behind a very cloudy glass wall However, her vagina can be seen) and a close-up shows his face and the camera pulls back to show a cloudier glass wall where we see the grainy image of the man thrusting while rubbing her breasts; two additional scenes show the man, clothed, thrusting (the woman who is nude from the waist down and has her face pressed into a tree and we see one bare female buttock each time).
A brief scene features a nude woman sitting on top of a man in bed, moving up and down in intercourse (we see her bare back and upper buttocks).
In a long shot through a window a shirtless man whose back we see removes a woman's blouse (she is obscured by his body) and she seems to sit on his lap and move up and down briefly before the scene ends.
A man and a woman lie in bed, clothed and awake and she is facing the camera on her side and he is facing her back, lying on his side, and thrusting (we see their clothed upper bodies) while the woman does not respond and is silent and he stops.
A shirtless husband (bare chest and abdomen are seen) reaches under his wife's dress and pulls down her panties, and then kisses her neck (she does not respond).
A woman sitting on a chair in an office next to a man in a chair lifts her skirt and rubs her knicker covered pubic area (we see her bare thighs and her low-cut top reveals cleavage); she stands and lowers to her knees, hugging the man (who's now standing) with her face at about groin level and she sucks on one of his fingers until he pulls her to her feet and pushes her away as she tries to kiss him; she shouts and slaps him as the scene ends.
A man slams a woman face-first into a tree and grabs her pants waistband to remove them and she refuses.
A married woman stands outside on a deck wearing a thin robe, a sports bra and panties about six times (we see cleavage, bare abdomen and her panties); in one of the scenes, she kisses a man and hugs him and in a later scene, she stands wearing pyjamas and a robe and hugs a man who kisses her on the cheek.
A man and a woman kiss briefly in four scenes.
A woman lying in a bathtub slides over the side of the tub, revealing full back nudity and the partial side of one breast; we later see a flashback of the scene where the woman screams, crawls across the floor, runs outside in front of her forest cabin, nude, covering her chest with her arms (we see her from the waist, up) and we see full female back nudity as the scene ends.
A woman wearing a sports bra (very little cleavage is seen) and tight yoga pants works out on a type of rowing machine.
A man lifts his arms and his shirt rides up to show his navel and a woman stares at his stomach.
We hear that a man had an affair with his second wife, with whom he has an infant daughter, for six months before he divorced his first wife; in a sequence of fast flashbacks the man and the woman are kissing briefly in several rooms of his home.
A man kisses a woman's neck as she is sitting on a kitchen counter and she does not respond.
A woman tells a man, "I miss being the other woman.'"
A woman tells a male therapist that she has had many ex-partners and lovers, she says that her husband keeps demanding her to become pregnant and she does not want that and that she touches herself (sexually) often.
A woman tells a man that his dead wife had an affair with another man and he seems shocked.
A man tells a woman that he discovered that his dead wife was pregnant but not by him.
A woman tells a man that she is pregnant with his child and he says to have an abortion and get rid of it; she refuses.
A phone message from a man to a woman reads, "I dreamed about kissing your inner thighs and holding your breasts."
A wife discovers a phone holding a sexually suggestive message and realises that her husband is having an affair.