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Entre ficheras anda el diablo - La pulquería 3 (1984)
Entre ficheras anda el diablo - La pulquería 3 (1984) is a Mexican comedy film directed by José Estrada. The movie follows the story of three friends, two women and one man, who are trying to make it in the world of show business.
The movie is known for its sexual moments, which are often humorous and lighthearted. One of the most memorable scenes is when the two female friends, played by María Rojo and María Elena Velasco, are in a nightclub and they start to dance together. The scene is full of sexual innuendo and the two women are clearly enjoying themselves.
Another memorable scene is when the male friend, played by Roberto Gómez Bolaños, is in a bar and he meets a woman who is interested in him. The two of them start to flirt and eventually end up in a passionate embrace. This scene is also full of sexual innuendo and it is clear that the two of them are attracted to each other.
The movie also features a number of other sexual moments, such as when the two female friends are in a hotel room and they start to kiss each other. This scene is also full of sexual tension and it is clear that the two of them are attracted to each other.
Overall, Entre ficheras anda el diablo - La pulquería 3 (1984) is a fun and lighthearted movie that features a number of sexual moments. These moments are often humorous and they add to the overall enjoyment of the movie.
There is a large dance number during the opening credits with about two dozen dancers, five of whom are topless women whose breasts can be seen.
A woman poses nude for a painting, her full frontal nudity is shown.
A woman is shown sitting at her vanity brushing her hair. She is completely naked and she is shown fully nude from the front and the back as she walks across the room to answer a knock at the door and then turns around to put on a robe when she realizes she is completely naked.
A woman stands naked in a doorway talking to two men who are fully clothed. She is covering her full frontal nudity by holding a robe in front of herself but one of the men can see her full rear nudity reflected in a mirror behind her. The woman's full rear nudity is shown briefly in the scene.
Eight women are shown in a dressing room talking to two fully clothed men who are disguised as women. The women are all completely naked and their full frontal nudity is shown directly or in reflections in mirrors with three of the women being shown for several moments while the men apply makeup to two women's nipples and to one woman's butt.
Another scene of the female model posing nude for a painting. Her full frontal nudity is shown.
A woman in a towel stands in front of a man while he reclines on a bed. She removes her towel to show her naked body to him in an attempt to arouse him. Her full frontal nudity is shown.
A large dance number with about two dozen dancers includes five topless women whose breasts are shown from a distance periodically throughout the dance number.
Another scene showing the eight naked women in their dressing room. Full nudity of at least seven of the women can be seen either directly or through mirrors with four of the women being shown fully nude from the front for a longer moment.
A woman stands on a bed and strips naked while a man watches her from his chair while sipping a drink. Another woman barges in and begins fighting on the bed with the naked woman, her skirt flips up showing that she is not wearing panties, her bare butt is shown briefly.
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