
Alejandro Jodorowsky’s 2013 film “Jodorowsky’s Dune” is a documentary about the director’s failed attempt to make a movie adaptation of Frank Herbert’s science fiction novel “Dune” in the 1970s. The film is filled with Jodorowsky’s unique vision and style, and it also contains some surprisingly sexual moments.
The most memorable of these moments is when Jodorowsky talks about his plans for the movie’s sex scenes. He wanted to create a scene in which the main character, Paul Atreides, would have sex with a giant sandworm. The scene would be a metaphor for the character’s spiritual journey, and it would be a visually stunning and powerful moment.
The film also features a scene in which Jodorowsky talks about his plans for the movie’s love story. He wanted to create a love triangle between Paul, his mother, and his father. This would be a unique and powerful way to explore the themes of family and love in the story.
Finally, the film also features a scene in which Jodorowsky talks about his plans for the movie’s nudity. He wanted to create a scene in which Paul would be completely naked, and this would be a powerful moment of vulnerability and self-discovery.
Overall, “Jodorowsky’s Dune” is a fascinating look at the director’s unique vision and style, and it also contains some surprisingly sexual moments. These moments are a testament to Jodorowsky’s willingness to push the boundaries of cinema, and they make the film an even more interesting and memorable experience.
A fast sequence includes mud-covered nude men rolling in mud (no genitals are seen); the head and nude chest of a woman with large letters and illegible words drawn across her chest, breasts and nipples; a man cutting the groin out of a baby doll and putting a small snake into it; a wild boar running out from between the legs of a prone woman whose thighs, body and head are covered with a sheet; a woman wearing a bikini top, skimpy short-shorts and knee-high boots (we see her bare shoulders, arms, some cleavage, abdomen and thighs).
Footage from a 1970s film ("El Topo") features three scenes of a seven-year-old boy fully nude except for moccasins (we see his entire front and back including genitals).
A woman wearing a thin whitish body suit has feathers covering her breasts and groin area; the outline of her body and breasts are clear.
1970s footage (from "The Holy Mountain") includes a man nude, except for a cloth pocket covering his genitals with a thong reaching through his legs and between his buttocks cheeks and then wrapped around his waist (we see the rest of his fully nude, hairless body in front and back views); the man walks by a pile of over a hundred mannequins dressed in the same attire and the camera cuts to a view of the top of a flat building where half a dozen men dressed the same way stand (we see their bared chests, arms, shoulders, abdomens, thighs and legs).
In a still shot from the 1970s, we see a man from the upper chest up, with bare shoulders and chest.
Several film and cartoon images feature different men bared from the waist up in front views, showing pectorals and nipples.
Film sketches of women wearing futuristic clothing show cleavage and bare abdomens.
A man stands apparently nude in a glass case; we see his bare shoulders and the camera cuts to his bared knees and lower legs.
An image of a overweight nude emperor shows him so heavy with skin folds that the bulges hide his genitals in a seated position; we see bare shoulders and chest.
A movie poster painting features a nude woman lying prone, breasts covered by arms and hips/groin covered by a huge red spot (please see the Violence/Gore category for more details).
A man states enthusiastically that making an outstanding creative film is "raping the bride"; he repeats this twice more and then adds that this is "raping with love."
A man's widow says that he wrote her many love letters.
A man says a male artist's girlfriend was sexy.
We hear that a sci-fi character suffered castration by a bull before his story began and we see a large metal covering over his groin in a drawing along with bare thighs, legs, chest, shoulders and arms; we hear that his wife took a drop of blood and it became semen after it traveled into her vagina, represented by a simple drawing of a red dot moving through a white tube, and reaching her womb; later, we see a comic book version of this story with panels showing a red blood drop on a finger and words about a son of superhuman strength being born as a narrator states that physical love was not required, only spiritual love.