
Post Mortem (2010) is a psychological thriller directed by Pablo Larraín and starring Alfredo Castro and Antonia Zegers. The film follows Mario Cornejo, a lonely morgue attendant who is obsessed with death and the idea of mortality. As he goes about his daily routine, he begins to develop a strange relationship with a female corpse.
The film is full of sexual moments, from the subtle to the explicit. The most obvious of these is the relationship between Mario and the corpse. As he begins to obsess over her, he begins to undress her and caress her body. This is a powerful moment that speaks to the power of death and the fragility of life.
The film also features a number of other sexual moments. Mario's relationship with his co-worker, Marcela, is full of sexual tension. The two share a passionate kiss, and Marcela is seen in a number of suggestive poses. There is also a scene in which Mario is seen masturbating in the morgue.
Post Mortem is a powerful film that explores the themes of death, mortality, and sexuality. The film's sexual moments are both subtle and explicit, and they add to the overall atmosphere of the film. The film is a must-see for fans of psychological thrillers.
Sexual activity is portrayed in the film, but infrequent and without strong detail.
There is a prolonged scene depicting a couple engaged in sex, where the focus is more on the naked woman's upper-body movements.
There are two other implied sexual scenes.
One of the scenes depicts implied masturbation while another involves a woman giving a handjob to a man as suggested by the sound of pants being unzipped and slight body movements of the woman.
The film also contains some scenes set in a morgue where brief shots of upper-body and full frontal nudity of female corpses are seen as the bodies are being dissected or moved.
Female upper-body nudity is also seen during a scene when some dancers are changing in a dressing room.
There are also some crude sexual references voiced in the film.