Anti-Clock (1979) is a British science fiction film directed by David Gladwell. The movie follows the story of a man named John (played by Jack Palance) who is sent back in time to prevent a nuclear disaster. The film is known for its surreal visuals and its exploration of themes such as time travel, fate, and the power of love.
One of the most memorable aspects of the film is its exploration of sexuality. The movie features several scenes of sexual tension between John and his love interest, Sarah (played by Judy Geeson). These scenes are both subtle and powerful, and they help to create a sense of intimacy between the two characters.
The movie also features a scene in which John and Sarah make love in a field. This scene is particularly powerful, as it shows the power of love to transcend time and space. The scene is also notable for its use of slow motion and dream-like visuals, which help to create a sense of surrealism.
Overall, Anti-Clock (1979) is a powerful exploration of sexuality and love. The movie features several scenes of sexual tension between John and Sarah, as well as a powerful love scene in a field. These scenes help to create a sense of intimacy between the two characters, and they help to make the movie a memorable experience.
Full frontal and back female nudity during a shower scene.
A woman exposes her breasts and masturbates through her underwear.
Verbal references to sex acts, genitalia and orgasms.