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Európa messze van (1995)
The 1995 Hungarian film Európa messze van is a classic coming-of-age story about a young girl, Eszter, who is struggling to find her place in the world. The film follows her journey as she discovers her sexuality and explores her relationships with her family and friends.
The film contains several sexual moments that are both tender and awkward. One of the most memorable is when Eszter and her friend, Zoli, share a passionate kiss. This scene is both tender and awkward as Eszter is unsure of how to respond to Zoli's advances. The scene is also a powerful representation of the confusion and uncertainty that comes with discovering one's sexuality.
Another memorable sexual moment in the film is when Eszter and her friend, Zsuzsi, explore their sexuality together. This scene is both tender and awkward as the two girls explore their feelings for each other. The scene is also a powerful representation of the confusion and uncertainty that comes with discovering one's sexuality.
The film also contains a scene in which Eszter's father discovers her in a compromising position with Zoli. This scene is both tender and awkward as Eszter's father is unsure of how to react to the situation. The scene is also a powerful representation of the confusion and uncertainty that comes with discovering one's sexuality.
Overall, Európa messze van is a powerful and moving film that explores the complexities of sexuality and identity. The film contains several sexual moments that are both tender and awkward, and these moments are powerful representations of the confusion and uncertainty that comes with discovering one's sexuality.
A ten-year-old boy and his father go to a refugee shelter where they are given clean underwear and sent to the shower. In the communal changing room, several men are seen from various angles in various states of undress. The man and boy take off their clothes and get in the shower. The man helps bathe his son, first rubbing soap in the boy's hair then his body. Both man and boy are completely naked, but as the man crouches to bathe his son his genitals are off screen. The boy's penis and scrotum are briefly visible, but are often blocked by his father's arm as he lathers the boy's body. The man then picks up his son to hug him, and in doing so presses the boy's privates against his own torso and turns him to expose his bare bottom to the camera. He puts his hand on the boy's bottom to hold him, partially obscuring it, and at the same time stands up to partially reveal his own genitals.
Later in the film, after having been separated from his father, the same boy is taken in by an elderly man and wife. The man lays the partially incapacitated youngster on his bed and takes off the boy's shirt and pants, then gives them to his wife to burn. He then helps the boy into the bathroom where he removes the boy's underwear and lifts him into the tub naked. At first only the boy's bare bottom is seen, but then he turns to the camera to expose his penis and scrotum as well. The old man washes the boy with a rag. First the boy's back, bottom and legs, then the boy's chest and privates.
The boy's penis is uncircumcised and prepubescent, with no signs of pubic hair growth, and remains flaccid throughout. None of this is sexual in any way.
There is a scene where several boys are seen in a locker room shower. Penises and buttocks are visible. A boy is seen drying off and putting on his underwear. His penis is visible.
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