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Tous les matins du monde (1991)
Tous les matins du monde (1991) is a French period drama directed by Alain Corneau. The film follows the story of Marin Marais, a famous viola da gamba player in the court of Louis XIV. It is a beautiful and romantic story of love and music, but it also contains some subtle sexual moments.
The first sexual moment in the film occurs when Marin meets his future wife, Madeleine de La Fayette. The two share a passionate kiss, and the camera lingers on their embrace. This moment is a powerful indication of the love that will develop between the two characters.
The second sexual moment occurs when Marin and Madeleine are in bed together. The camera pans over their bodies as they embrace and kiss. This scene is a beautiful and intimate moment between the two characters, and it conveys the deep love they have for each other.
The third sexual moment occurs when Marin and Madeleine are in the garden. The camera pans over their bodies as they kiss and embrace. This scene is a tender and romantic moment between the two characters, and it conveys the deep love they have for each other.
The fourth sexual moment occurs when Marin and Madeleine are in the forest. The camera pans over their bodies as they kiss and embrace. This scene is a beautiful and intimate moment between the two characters, and it conveys the deep love they have for each other.
Tous les matins du monde (1991) is a beautiful and romantic film, but it also contains some subtle sexual moments. These moments are powerful indicators of the love that exists between Marin and Madeleine, and they add to the overall beauty of the film.
One scene shows a man lift himself off of a woman after sex and his genitals are briefly seen from behind. His buttocks are plainly visible. The woman's body is covered, but her breasts are seen
A naked woman is shown from a distance walking outside.
There are at least two scenes of a man kissing a woman's bare chest.
A sick woman rises out of bed and her entire lower body is shown naked from the front as her nightgown slips up.
The protoganist mentions twice his genitals. While narrating the story, he also refers to a girl's puberty by making mention of her period.
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